It should be a literary crime to give rather ordinary mysteries such evocative titles as this, especially when there’s already a particularly intriguing blurb on the back to hook the reader in. I was decidedly underwhelmed by this book – unusually so for an Agatha Christie – and now I can’t decide whether it’s the fault of the book, the title or just the fact that I was pretty spaced out on Lemsip at the time of reading. Probably the latter. I’d already been in bed sick for two looong days by the time I reached for this; I was cranky, bored and lacking both the energy and the will to read anything too demanding on the old grey cells. Usually Christie is ideal at times like these but she didn’t really do the trick on this occasion. I suspect I’m being a trifle unfair.
Sparkling Cyanide reunites several acquaintances for a rather tense dinner party at the Hotel Luxembourg. Gathered together are staid businessman George Barton and his young ward Iris, George’s doting secretary, a mysterious American businessman, a devious politician and his dutiful but very posh trophy wife. They’re all there to mark the passing of George’s late wife Rosemary who very publicly committed suicide at this table in this restaurant in front of these very same guests a year previously. It’s a macabre excuse for a gathering and of course, of course one of the guests is poisoned during dinner in an almost exact recreation of Rosemary’s death. Of course.
“I’d like to give these detective story writers a course of routine work. They’d soon learn how most things are untraceable and nobody ever notices anything anywhere!”
There’s no Poirot or Marple in this one and I missed them both. It’s down to George’s old friend Colonel Race to identify the killer and determine whether Rosemary may also have fallen foul of a sinister plot. He does a fair job, Colonel Race, but without the flair or humour I might have expected from his more regular counterparts. Overall this felt like a fairly formulaic mystery: the set up was quite laboured and there was less of the wit and double bluffing that Christie usually employs to liven up the more mundane stories. I did fall prey to one red herring for a time but in the end I’d more or less guessed the killer anyway and instead of feeling triumphant I was left with the flat, dissatisfied feeling I always get when I’ve been proven right. Ho hum.
In my headachey, fuzzy haze I took Christie’s failure to keep me sufficiently entertained too personally. I decided that if she couldn’t offer me something decent to read at this difficult time then I would just have to resort to something more reliably cheering. I reached for I Capture The Castle which appears to be my go-to book when I’m sick. I’m so predictable.